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Surreal
Vietnam imaginings
Hovering 200 meters above ground in the
Caretta Shiodome skyscraper in Tokyo, Milanese restaurant BiCE has
been making a name for itself not just through its veal scaloppini
with lemon sauce, but also as a venue for contemporary art, like the
recent "Antelope Canyon Painting with Light" exhibition by
Australian-based photographer Mirek Rzadkowski.
Next in line from Oct. 9 is "The Joy of the Imagination:
Exhibition of Paintings." It brings together 28 paintings from
1995-2003 by the self-taught expatriate painter, physicist and
double Ph.D.-holding Nguyen Dinh Dang.
Only a few years after his birth in 1958 in Hanoi, Vietnam, Dang
was already putting pen to paper. Prodigious drawing efforts as a
child resulted in his first oil work depicting a European woman,
painted on cloth cut from a sack for storing rice.
As a graduate student in Leningrad (now St. Petersburg), he
discovered the works of the Impressionists and Post-Impressionists.
Following his return to Vietnam in 1985, he combined his study of
old master techniques with a newfound interest in the Surrealism he
currently pursues. It's a style suited to Dang's emphasis on
realistic drawing (that follows after the manner of Salvador Dali)
and the nude figure, a subject effectively banned in Vietnamese art
from 1945 to the early '80s. In Dang's paintings, threads of
narrative connect historical and mythical themes of Vietnam to
memories of family and the artist's fellow countrymen.
The exhibition runs Oct. 9-Dec. 9. at BiCE Milanese restaurant,
47F Caretta Shiodome 1-8-1 Higashi Shimbashi, Minato-ku, Tokyo. BiCE
is one minute from Shiodome Station on the Oedo Line, Exit 4 or 5.
Restaurant hours are Mon-Fri: 11:30 a.m.-3:30 p.m and 5:30
p.m.-11.30 p.m.; Sat-Sun: 11:30 a.m.- 3.30 p.m. and 5 p.m.-11.30p.m.
Tel. (03) 5537-1926. Admission is free. (Matt Larking)
The Japan Times: Oct. 7, 2005 (C) All
rights reserved
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